metal clay....moving into it.

I remember when I first received my Hothead torch and my kiln in 1998. That is the year I started to make glass beads. I was terrified. I just knew that whatever I attempted would never work out and I was afraid of the torch but too excited to wait so I just lit it.  Then,  I moved on and went from a minor to a bobcat and an oxygen concentrator or two it got easier and easier.

 Why, I ask myself, is metal clay making me so nervous? There is no tank of propane, no oxygen ...I had to finally admit that I was simply afraid of failure and the only thing to do would be to jump right in....preferably head first. So, I spent a week or so very slowly ordering things....very slowly. I was crazed. I spent a week moving my kiln around to different places in my studio....I ordered a few other things and on Monday I said...Damn it,  Ann, sit down, stop running around, stop moving the kiln, stop reading the 13 books on metal clay that you have. Get to work. This is my first little piece and then I did a pair of earrings and now I will

 attempt to do things better because I have an idea of what I am doing. Thank God I got started. The process is so full of varied creativity and I love it!

Watercolor Inn boat dock

.glass cat tails, originally uploaded by AU_Leslie.

special glass......

More Watercolor 2008 031, originally uploaded by AU_Leslie.

trying to post a few uses of glass as knobs etc...here are a some

kiln arrival

I have to admit I already have two great kilns, bead annealing kilns, that I love, but as I made less and less beads and began to work more with clays and various mixed media I found metal clay. I now have a third kiln, a hotter kiln,  and I can do the magic. This magic consists of changing clay into fine silver, gold, copper and bronze. I am amazed and delighted.

Metal clay is something else again. I am in love with the process and in love with the look of the finished art. I really should say the look of the many, many different finished creations that one can achieve. The process seems to me to be beautifully solitary and deep. I love that.

I do have most books that have been written about metal clay but my newest is from Barbara Becker Simon, and it, along with books by Tim Mccreight, have inspired me to the point where I am almost panicked to begin, I don't want to disappoint myself. I will start slowly and take more classes as needed.

Here is my first piece, from a class with Barbara McGuire. I'm sure I posted this when I made it,  but now that I have all the equipment and I'm about to work, it seemed a good time to look at it again.

A beautiful spring day to everyone tomorrow!